Appendix for a definition of genetic architecture and
other related terms
Text of Alberto T. Estévez,
“Arquitectura biomórfica”, in A. Estévez et al., Genetic Architectures II: digital tools and organic forms /
Arquitecturas genéticas II: medios digitales y formas orgánicas, Santa Fe (USA)
/ Barcelona: SITES Books / ESARQ-UIC, 2005, pp. 41-42 and pp. 77-78 (www.amazon.com).
At least a direct and simple, minimum definition of the
terms used should be provided in order to avoid confusion when read. That is
why we have included this appendix of definitions, compiled since the year
2000, since the line of research “Genetic Architectures” began, and explained
through the university teaching to which it is connected. (We do not rule out
that other definitions, nuances and uses other than those in the list lack a
certain redefinition, correction or precision, at least according to current
understanding):
Brief list of definitions
Biomorphic architecture is architecture
whose forms are similar to those of living beings. And taking objects into
account, this definition can be used also for organic design.
1. It can become so, by the author, with or without the
desire to be biomorphic.
2. It can be understood, by the viewer, as similar to
living beings or not.
3. It can be created out of inspiration in nature, from
memory or copy, in a gradation of its forms that goes from the most precise
photographic-naturalistic imitation to the most abstract. It can also arrive at
this latter extreme without intending to be similar to any living being.
Bionic architecture is architecture
whose functioning, systems or processes are similar to those of living beings,
which it takes as a model, and taking objects into account, bionic design is
also defined.
Organic architecture is architecture
that, in unity and continuity, merges the elements that respond to different
functions, as they appear in living organisms. In particular, it merges the
dichotomy between the supporting and supported elements in a single continuous
element. And taking objects into account, this definition can be used also for organic
design.
Digital organicism is the part of
organic architecture and design that uses the latest cybernetic-digital
resources in its design and/or production. Likewise, digital organicism is the
current or trend that, in the early 21st century, has been
established as the avant-garde of architecture and design. However, at the
present time, as the development of possibilities of robotised production for
real architecture on a 1/1 scale is still limited, with very few exceptions, it
is practically only designed, although now it may be carried out from any
drawing.
Genetic architecture is architecture
that applies genetics. This definition can be used also for genetic design,
taking objects into account, or can be used also for genetic art in its field of
action.
1. Genetic may be applied to architecture in a real and
natural way. This would be the real genetic architecture, requiring the
combined effort of architects and geneticists.
2. Genetics may be applied to architecture in a
metaphorical and artificial way. This would be genetic architecture only by
extension or similarity with genetic definitions and processes.
New ecological-environmental design means that
which, superseding and comparing with picturesque and conservationist
ecologism, include real and natural live elements in its construction, whether
for ethics or aesthetics, for improved physical or metaphysical conditions.
This architecture could be called biological and it could be considered
protogenetic. It would start to be genuine genetic architecture if it
introduced a certain genetic manipulation that would enable the living beings
to be fitted out at the author’s discretion. Then the following definition
would arise...
Biological architecture or Bio-architecture is architecture
that incorporates natural live elements in its projects: vegetal elements are
the most usual. There is a specific line here, which would manipulate the
behaviour of certain animals so as to take advantage of their natural
constructive capabilities, guiding them according to the desired design that
they would self-construct. These definitions can be used also for Biological or
Bio-art and design.
New cybernetic-digital design means that
which, superseding and comparing with the use of a computer as a mere substitute
for manual drawing, includes virtual, artificial computerised elements in its
construction. This is done by working as if from inside the software itself, as
a tool that is not only graphic but creative, and for design and production,
subject to the possibilities of robotized production, still having transitory
limits for architecture. And it would be genetic architecture if it really
worked with the artificial software as it would with natural DNA, as from a
certain angle, they are both the same, both chains of information for
self-production and growth. Then the following definition would arise…
Digital architecture is that which
may only be designed using computer resources. These definitions can be used
also for Digital art and design.
Cyber-eco fusion design means that
which merges or integrates the latest cybernetic-digital resources for design
and/or production with the most recent ecological-environmental understanding.
This is broadly defined and, equally, separately, or inter-combined, refers to…
1. The fusion of cybernetic-digital resources with the
advances in sustainable architecture.
2. The fusion of cybernetic-digital resources with the
new contemporary understanding that is neither picturesque nor conservationist,
of a natural or urban setting in constant evolution.
3. The fusion of cybernetic-digital resources with
genetics, to continuously join the zeros and one from the architectural drawing
with those from the robotized manipulation of DNA, in order to organise the
necessary genetic information that governs a habitable living being’s natural
growth, according to the designs previously prepared on the computer.
With
this we come to a completely revolutionary and surprising pinnacle of
architecture, from where we can see an almost infinite horizon: there are many
definitions and variants as those above, and for this reason we have used the
plural form of term “genetic architectures”.
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